These are my equipment lists that I have made for each scene, showing what I need to bring with me to each location to help create a professional, high quality film:
Scene 1 (part 1)Canon 60D
Tripod on wheels
TASCAM BB-800
Rode NTG-2 Shotgun Microphone
XLR to XLR cable
1gb SD card
32gb SD card
Boom pole
Scene 1 (part 2)
Canon 60D
Canon 600D2x tripods
TASCAM BB-800
Rode NTG-2 Shotgun Microphone
XLR to XLR cable
1gb SD card
16gb SD card
32gb SD card
Boom pole
Scene 2
Canon 60D
Manfrotto Modosteady
Opteka Video Stabilizer
Tripod
TASCAM BB-800Rode NTG-2 Shotgun Microphone
XLR to XLR cable
1gb SD card
32gb SD card
Boom pole
Scene 3
Canon 60D
Canon 600D
Canon 5D mk II
Tripod on wheels2x other tripods
TASCAM BB-800
Rode NTG-2 Shotgun Microphone
XLR to XLR cable
1gb SD card
16gb SD card
32gb SD card
8gb Compact flash card
Boom pole
Scene 4
Canon 600D
2x tripods
TASCAM BB-800
Rode NTG-2 Shotgun Microphone
XLR to XLR cable
1gb SD card
16gb SD card
32gb SD card
Boom pole
Lots of this equipment is owned by myself, but I will also borrow various equipment from the media and photography departments in school.
Gauntlett goes to say that new media (and new media technologies) erodes the boundary between producer and audience to the extent that it makes little sense to talk about media audiences at all anymore: “Conventional research methods are replaced—or at least supplemented by new methods which recognise and make use of people's own creativity, and brush aside the outmoded notions of 'receiver' audiences and elite 'producers' (Gauntlett, 2007) This consequently erodes the boundary between the producer and the consumer, which is relevant through all my technology that I am using to shoot my film that wouldn't have been remotely available two years ago. I am lucky to be able to get my hands on this equipment, as some of it is rather expensive, but in relation to a fully budgeted feature film, the price of this equipment would be very minimal.
Gauntlett goes to say that new media (and new media technologies) erodes the boundary between producer and audience to the extent that it makes little sense to talk about media audiences at all anymore: “Conventional research methods are replaced—or at least supplemented by new methods which recognise and make use of people's own creativity, and brush aside the outmoded notions of 'receiver' audiences and elite 'producers' (Gauntlett, 2007) This consequently erodes the boundary between the producer and the consumer, which is relevant through all my technology that I am using to shoot my film that wouldn't have been remotely available two years ago. I am lucky to be able to get my hands on this equipment, as some of it is rather expensive, but in relation to a fully budgeted feature film, the price of this equipment would be very minimal.
Excellent organisation of equipment.
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